20 November 2024
AIKON AUTOMATIC CERAMIC
A showstopping performance
As the end of 2024 nears, Maurice Lacroix unveils the AIKON Automatic Ceramic, a real looker, offered in two sizes and executed in two contrasting hues: black and white. The culmination of three years of research and development, these latest models deliver an unprecedented quality/price ratio, democratising ceramic watch ownership, while delivering an ultra-refined appearance. Moreover, Maurice Lacroix has gone further by using ‘technical ceramic’, a material that elevates the performance of ‘regular’ ceramic by doping zirconium oxide with additional oxides. Close attention has been paid to the case and bracelet, ensuring each surface and facet exudes excellence. In addition, each bracelet link has been designed to smoothly articulate around the wrist, delivering maximum wearer comfort. Unequivocally new, these latest models perpetuate the AIKON’s reputation for nuanced details and sublime tactility. One material, two looks; how do you wish to express your urban-style?
This year has seen Maurice Lacroix release several versions of the AIKON, its hugely successful urban-style watch, executed in a multitude of materials. Now, to round out 2024, the Swiss company turns its gaze to ‘technical ceramic’, a scratch-resistant material that will never fade with the onset of years. Ceramic cases composed of zirconium oxide have been in existence for some time; however, Maurice Lacroix has pushed the performance envelope with the creation of technical ceramic.
In common with conventional ceramic cases, technical ceramic is corrosion-resistant and hypoallergenic, but it also represents a significant step forward in terms of durability, thermal stability and overall strength. This technically advanced material involves ‘doping’ zirconium oxide with three additional oxides: hafnium oxide, yttrium oxide and aluminium oxide. This process is strictly controlled to achieve the desired result.
Technical ceramic: a material with a lasting allure
Bringing the technical ceramic case and bracelet to life necessitated three years of intense research and development and presented numerous technical challenges along the way. The R&D team at Maurice Lacroix expended much time, often burning the midnight oil, to ensure that all surfaces and facets of the case and bracelet exude quality. For example, the bezel with its distinctive arms, presented in relief and with a contrasting finish, proved technically challenging. Likewise, making a bracelet in technical ceramic also proved demanding as the links need to articulate, allowing the bracelet to flex as it encircles the wrist to confer optimal wearer comfort.
During the development process, Maurice Lacroix commissioned research, talking to retailers and the public alike. Obtaining feedback, the brand sought to optimise the look and feel of its new technical ceramic models, paying close attention to the ergonomic relationship between the case, bracelet and wearer. The culmination of its time-consuming efforts has led to the creation of the new Maurice Lacroix AIKON Automatic Ceramic, a unisex model offered in two sizes, 39 mm and 42 mm, each sporting a decidedly different appearance.
A lesson in contrasts
Back in 2016, Maurice Lacroix unveiled the first AIKON, a quartz watch inspired by the CALYPSO, the former best-selling watch of the 90s. Two years later, the company released mechanical versions of the AIKON after which the collection’s popularity grew exponentially. Over the years that followed, the brand capitalised on this success, releasing different case sizes, dial colours and complications.
Today, Maurice Lacroix explores contrast with the new AIKON Automatic Ceramic in a choice of white or black. The 42mm matt black option is stealth-like, reinforcing the urban-vibe, a night-owl that plays out after dark, while the 39mm glossy white reference looks comparatively angelic, bathing in sunlight, garnering admiring looks wherever it goes.
Whether night or day, overt or discreet, innocent or knowing, there is an AIKON Automatic Ceramic perfectly suited to the situation, mood and wearer. Once again, Maurice Lacroix demonstrates it is a master of materials and contrasts. It’s a showstopping performance.